In the autumn of 2006, the Musée du Louvre reached an agreement with Fondazione Giorgio Cini and granted Factum Arte access to record Veronese's great painting les Noces De Cana. The conditions were carefully specified: the recording must be completely non-contact, all equipment must meet the highest conservation specifications and be approved by Veritas, no external lighting or scaffolding could be used, work could only happen when the museum was closed and no equipment could be left in the room when the public was present. In defining each condition the safety of the painting (and the other paintings in the room) was always the definitive factor.
Paolo Veronese, Wedding at Caná, 1563, Museé du Louvre, París
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